Tag Archives: Matisse

Spiritual Liberation – make Art, view Art, buy Art

Paul ShampineTop ten reasons why I shaved my head:

10.          Humility.
9.             Eliminates bed head.
8.             Vulnerability.
7.             Saves  $519.73 annually in haircuts and hair product.
6.             Empathy.
5.             Triathlon performance…saves  3.14 seconds off my run, 2.718 on my swim and  4.20 on my bike.
4.             Vanity.
3.             Fitting in with the other inmates.
2.             Cleansing.
1.             Spiritual Liberation.

If you’re less likely to shave your head to experience spiritual liberation, then make Art, view Art or buy Art.  Start now and view the Art of Mary Blum,  Sara Biersteker, Linda Bladen and Helena Hötzl.
Thank you.

Best, Paul
Paul Shampine

Mary Blum, NYC
Summer Mary Blum 2012When did you first discover your creative talents?

In Kindergarten, a loaded brush, a bib and smile ear to ear for the praise from my teacher and classmates. . . a beginning. At 10 years old standing two feet away from the big Larry Poons dot painting at MoMA, my mother quiet on one side of me and my father standing on the other, I heard his soft voice say, “I don’t really think this is art”. I felt a slow running wave of shock moving from my feet to my now bulging eyes. How could my hero of information, a man who traveled Europe just to see the art, say something so completely illogical. I was stunned. I felt so confused and finally so angry! We had a well controlled argument in the Cafe. As I experienced the rest of our visit, blue dots still swimming in front of me, I realized, I was sort of like Larry Poons. Art didn’t have to be a particular thing. It just was. That day I gave myself permission to be an artist in “the Larry Poons sort of way”!

For an artist, selling their first piece of work is a memorable moment. Tell us about your first piece or a special piece that was sold. Selling my first piece, a glistening blue and gold leaf painting of a fish, was a thrill, not unlike the feeling that morning in Kindergarten. Selling pieces is a fascinating push pull. (I’ve signed my child up for sleep away camp, the morning comes—- his gleeful face and I think I might go a bit mad. Who’s idea was this? He’s going away). Am I taking too much money for the piece? Have I not set the price high enough? Should I have done the piece in the first place? Oh, my. Within the realm of good business sense, for me, the theme is letting go, and letting go some more. Letting go as I paint and as I offer to share a part of myself with the world.

Who are your favorite artists?  The William Bouguereau exhibition at the small museum where I worked was magic. Everyday I met his porcelain figures, his surfaces miraculous painting. Narratives that told infinite stories.
So very powerful. Then there’s Joseph Albers, formal and minimal, often repetitive. Assuring color and form. Robert Rauschenberg‘s Combines. A stuffed goat with a tire around it. I only wish I could have been the tourist who sat on it. Unfortunately it had to be repaired. An extreme sport for the tourist and the restoration team. Louise Bourgeois with her visceral eccentricities. I wonder what it would be like to be Jean Basquiat for a day.  His brief and brilliant gushing of life and paint. Or Yayoi Kusama. Dots!!! So many artists inspire me. . . so many! And I’d like to think, the best is yet to come.

Artist: Mary Blum
Title: Summer
Medium: Mixed media metallic on canvas.
Dimensions: 36 ”x 24”
Website: http://www.maryblumstudio.com

Sara Biersteker, Venice Beach, CA
When did you first discover your creative talents? When my mom wanted me to clean the cat box when I was young, I would sulk in my room and draw a picture. These pictures were always the same. I would draw my mom as a massive queen in renaissance attire, sitting on a wooden throne. I would then draw myself very small and wearing rags. I would be sitting at the base of the throne with large tears that resembled bullets jutting out of my face. Once I had finished my drawing I would give it to my mom and run back to my room. Sometimes it worked and I wouldn’t have to clean the cat box. Sometimes it didn’t. I believe this is when I learned that visual representation has a great power to manipulate and therefore evoke strong emotion. Emotional responses to artwork give us, as artists, opportunities to experience our unadulterated selves. I believe that this process is the core of creativity.

For an artist, selling their first piece of work is a memorable moment. Tell us about your first piece or a special piece that was sold. The first person to approach me about buying a painting was a tall woman from Topanga Canyon. She told me that the painting reminded her of her favorite book. The painting, a 36’’ x 36’’ acrylic on canvas, I had painted for my cousin’s graduation from Berkeley. The subject was our great grandfather as a youth atop a large horse. The photo I found had been taken in old Rancho Malibu somewhere in the 1880s. Though I needed the money badly, I wanted to give the painting to my cousin so that she would feel connected to her family. I declined the offer and proceeded to give my cousin the painting. I am glad it went to her because it was created for her. She recently sent me a picture of it hanging in her bedroom of her new apartment.

Who are your favorite artists?  The artists I love change with whatever mood I’m in. My mom used to say that when I would ask her what her favorite color was. It would make me so mad. But it’s true. One artist that will always be in the forefront of my mind, though, was my grandmother. She was an advertising artist for Bullock’s-Wilshire while it was still in business. While her body of work was marked by profound control of line, she was also talented with watercolor. There are a few California coast landscapes done on cold pressed paper that hang in my studio. My favorite piece, however, is a watercolor of an old Mexican scarecrow. For years I thought it was just a man with a cigar until I finally learned to actually look at what I was seeing.

Artist: Sara Biersteker
Title: Old Rancho Malibu
Medium: Acrylic on canvas
Dimensions: 36 ”x 36”
Website: http://www.BierkstekerArt.com

Linda Bladen, Los Angeles, CA
Maria.Linda Bladen
When did you first discover your creative talents? My father was a professional artist in Chicago. Both my parents discovered that I could stay amused for hours with some paper and crayons. This began at a very early age – possibly around three years old. I was lucky to have my father around to validate me and encourage me. It shaped my identity as an artist from the beginning of my life.

For an artist, selling their first piece of work is a memorable moment. Tell us about your first piece or a special piece that was sold. My biggest thrill was probably when I sold a piece before the show opened. The Pittsburgh Society of Sculptors was screening for new members and then showing the work at the La fond Gallery. It was exhilarating because I was accepted into the group and then discovered a red dot next to my piece when the doors opened. It had been purchased by the juror of the show.

Who are your favorite artists?  Since I grew up going to the Art Institute of Chicago, which holds the largest collection of French Impressionists and Post Impressionists outside of Paris… I will say I love Degas, Gauguin, Caillebotte, all of them really…  van Gogh is one of the greatest painters, Camille Claudel‘s sculpture, Corot – a great innovator, the American painter George Inness, Matisse, Constantin Brancusi, Isabel Bishop‘s character studies… too many to name.  Then going back a little… Georges de La Tour and then Velasquez, who started new ideas about painting, and inspired the great portrait painters like John Singer Sargent – “a painter’s painter”.

Artist: Linda Bladen
Title: Maria
Medium: Oil on wood panel
Dimensions: 32 ”x 48”
Website: http://lindabladenart.com

Helena Hötzl, Alingsas, Sweden
When did you first discover your creative talents? I always used to paint and draw and worked several years as a make up artist painting faces. One day I got an email from a man at Saatchi gallery in London telling me that they liked my website and thru them I was invited to participate in a Scandinavian exhibit with the best contemporary artist in Budapest, Hungary.  That was when I realized that I actually had an creative talent in me.

For an artist, selling their first piece of work is a memorable moment. Tell us about your first piece or a special piece that was sold. I had done a piece with women with trench coats that I went to a gallery to ask them to frame it for me.  The man at the gallery looked at it and asked me who had done it? I was very shy and remember looking at the floor telling him that I did that one.  He bought it as fast as I can remember telling me how great it was.  I started to realize that maybe other people would like to buy my art too.

Who are your favorite artists?  I love Gustav Klimt. My favorite. At an exhibit I had a man told me I had some similarities of Modigliani. Never though about him but starting to like him more and more. There are so many good artist out their today.

Artist: Helena Hötzl
Title: The lady in the red dress
Medium: Acrylic/kohl and pearl liquid
Dimensions: 100 x 70 cm
Website: http://www.helenahotzl.com

Interview with an Artist – Nancy Jaffee

Nancy Jaffee, Weston CT

Abstract in blue and brownWhen did you first discover your creative talents? I didn’t really
know I had any artistic talents until I was an adult. But my mother
was artistic. She worked as a clothing designer and a decorator and I always appreciated the way she put colors together in her work. My sister used me as a guinea pig in grad school for her PHD in Psychology. And after taking all her tests, she said I should pursue a career in the arts but I never really did anything about it.  It wasn’t until I was in my 30’s that I started taking formal art classes and realized this was truly something I wanted to do for the rest of my life.

Some visual artists describe crossing a threshold where they see new colors, shapes, forms, shadows and movement. Did younude looking up experience this kind of artistic “awakening?” It happen at The Rye Arts Center. When the teacher was explaining how to convert three dimensional space onto a two dimensional page she taught us about foreshortening, cast shadows, reflected light, modeling…volume. It was eye-opening for me
because it all worked. It was like unlocking a door and learning how to
see.

For an artist, selling their first piece of work is a memorable moment. Tell us about your first piece or a special piece that was sold. My first sale was to my neighbor. It was a sketch from a life drawing
class. Just a quick one minute pose. But she liked it, had it framed
and hung it in her living room. She had a lot of beautiful art that she
collected, so I felt honored to have my little throw away amongst her
really nice paintings. I think I charged her $20 for the sketch.

Who are your favorite artists? My favorite artists… long list… but
I would start with Michelangelo… I was lucky enough to travel to Europe several times as a child and was exposed to some of the most beautiful masterpieces of
the world. But the David really blew me away. I love Whistler, JS Sargent, Cezanne, Modigliani, Matisse, Picasso (especially his blue period), Egon Schiele, Munch (the Storm is my favorite), Clyfford StillMilton Avery, Jim Dine… too many to mention.

Do you “see” your paintings before you create it or is it a
work-in-progress? I often start out with an idea for a nude or
something representational. But the abstract pieces are more works in
progress. I usually try to start with a palette and work from there.

When a painting takes on a mood….say a dark one. Do you feel likeescape
you need to exist in that mood to continue with the painting? When I’m focused on painting, I want to create something evocative and
interesting and I’m just trying to do that. What’s so cathartic about
painting is that it takes you out of your own head while you’re doing
it. It can also give you an outlet to express what’s inside you. I
think the emotions come first and then the painting.

I think my outlook is naturally somewhat dark. I see people as alone,
my figures are always alone, they sometimes seem isolated. I think a
heavily clouded sky is more interesting and than a bright blue clear
one. My least favorite paintings are “Spring” and “Painted Flowers” in
terms of their content and color. I was experimenting more with
technique on those, using a calligraphy pen in the first and a palette
knife in the latter.

You mentioned that you like Picasso…specifically his blue period.Picasso
Some feel that his blue period was a reflection of depression, while others say blue paint was cheaper and he couldn’t afford other colors at that time. What do you think? I like his blue period because it seems more compassionate than his later work. Like the famous painting of the woman with the iron. She’s exhausted, endlessly working,  overwrought, poor. She’s not glib or superficial. Looking at her evokes powerful emotions. The painting has soul.

In general though, if you ask most people what their favorite color is,Rockbottom
they say blue. Blue is rich and soothing. It can also be considered
sad as in a blue motel room or a blue mood. But art is in the eye of
the viewer. It’s highly subjective. I think the artist may have one
thing in mind and the viewer something entirely different and both are
equally valid.

male nudeIs there a particular painting of yours that evoked polar views or
moods from a viewer? If so, which one and describe what they “saw.” This is a funny story. A friend of mine on Facebook saw my male nude
who is masturbating in the painting, and thought it was a woman. To be fair, he was looking at it on his phone, so it was only 3″ big. Mainly in my drawings people have experienced the nudes as sad when I just felt they were relaxed, neither happy nor sad. Some people try to understand literally what I’ve painted as in “Escape.” Like what exactly am I depicting? Are there mountains in the foreground? Is that a lake beneath them? Others will just see it as a seascape and not wonder about the realism of the specific shapes. I can’t really think
of any that have evoked polar reactions from different people except
that some will love a piece while others aren’t impressed at all.

I’m also a fan of Sargent. My favorite Sargent piece (El Jaleo) is in
one of my favorite Museums…the Isabella Stewart Gardner Museum in Boston. It’s one of those paintings that you have to seeWhistler's Mother
up-close-and-personal.  Do you have a “must see” that you re-visit or moved you when you viewed the original? I was really moved by
Whistler’s “Mother.” When I saw it, I couldn’t stop looking at it. The
mood was so compelling, the gray on gray, the contrast of white on
black, the quiet stillness of the subject almost trancelike.

Sargent’s work is just so elegant and beautiful. One of his paintings that
impressed me the most is in a permanent collection at a museum in
Scotland and it’s titled, “The Lady Agnew”. She is seated and dressed
in white. The skin tones are flawlessly smooth and the eyes seem as
though they are laughing. I also love the painting “Madame X” at the
Metropolitan Museum in NYC.

Favorite museum? Having grown up in NYC, my favorite museums are the Metropolitan and the Museum of Modern Art. It’s always a pleasure to spend an afternoon there rediscovering my favorite masterpieces. I recently discovered the work of Clyfford Still and his work has had an influence on several of
my most recent pieces.

What advice would you give to an artist just starting out? Well, since I Nancy Jaffeetoo consider myself an artist just starting out, I can only offer what I say to myself. Try to be the best that you can be.  Compete only with yourself. While there will always be someone out there that you find more talented or more accomplished then you don’t let that discourage you. There is room for all of our artistic expressions. Just enjoy the process and remember that the nature of
creation is creativity itself.

Nancy’s website: http://www.nancyjaffee.com

Paul ShampinePaul Shampine

It’s OK to be an artist…Interview with an Artist, part 5

Atypical for me, I didn’t have a goal or objective when I started this blog. As a result of subscriber feedback and my personal beliefs, I do now. Simply…to celebrate and support those who have chosen to become “artists” and to encourage those who are exploring the occupation…
Paul Shampine
While attending a Tom Kelley seminar, author of The Ten Faces of Innovation, Tom references author/artist Gordon MacKenzie’s experience while giving lectures to grade school children (K-6). In short, when Gordon asks “Anybody here an artist?” to a kindergarten class, everyone raises their hands with great animation and enthusiasm. As the lectures continue throughout the day, Gordon experiences significant attrition with only two hands being raised in the six grade. Transcript can be read here:http://ventureswell.com/innovation-made-personal-tom-k

Tom’s message for his lecture: “..it’s OK to be an artist. It’s OK to be an innovator. It’s OK to be a design thinker even if it causes people around you to raise their eyebrows.”

I agree. It’s my creative thinking that made me an effective corporate leader, CEO, small business consultant and a sculptor.

Here are a few that I’m sure would agree that it’s OK to be an artist……

Carolanne Leslie, Bushwick, Brooklyn, NY

Passageway to Consciousness-Carolanne LeslieWhen did you first discover your creative talents? When I was a child I endlessly wrote poetry. I discovered poetry as a means to express myself abstractly.  I was afraid someone might see my nightly journals about my life and I had a sense my words were too revealing. Then one day in a quiet moment of “no mind” my hand began to write poems.  Poetry was my secret language, my quiet expression of an inner world I was only beginning to discover.

For an artist, selling their first piece of work is a memorable moment. Tell us about your first piece or a special piece that was sold. The name of the piece was “Surrender”. It was hanging on a wall in a Downtown Brooklyn Bar. One night I was at the bar and I watched a man take pictures of all of my art hanging on the wall. I asked him why and he said his friend in the corner wants to buy “Surrender”. I told him I was the artist and he introduced me to  Azim Ramelize who bought the painting off the wall that night.

Azim understood my art on the most intimate level. We discussed the spiritual sentiments in the title  “Surrender” and other concepts such as transformation for hours before I realized Azim was paralyzed from the waste down because he was shot at the age of 17 at the base of his spine…Azim grew up in the worst of the Brooklyn ghettos.  But what I didn’t realize at first was the scope of what Azim overcame in his life.

Azim managed not only to survive the gunshot wound but he pulled himself up and out of the insidiously difficult world he lived in and “transformed” it into something wonderful. He became a lawyer.  The commissioner of Children Services helping inner city kids with their struggles.  “From Gangster to Guardian”… Azim Ramelize, I am proud to say was moved by my artwork and I felt understood. What a beautiful exchange.

Who are your favorite artists? Gaudi, Bouguereau, Frida Kahlo, Antony Gormley, Marina Abromovic, Julian Schnabel, Ayala Serfaty, Gustav Klimt,Camille Claudel,

Artist: Carolanne Leslie
Title: Passage to Consciousness
Medium: Acrylic on canvas, 36×74 inches
Website: http://carolanneleslie.com/

Cheryl Faligowski, Detroit, MI

Nude Frame - Split SugarWhen did you first discover your creative talents? I started exploring photography at a young age with cameras you would find as a prize in cereal boxes. Although my concept of composition and lighting had not been discovered yet, I loved the feeling of capturing what I saw. While in high school I started experimenting with the idea of conceptual photography with models (my friends) and self portraiture. I loved photographing the human body in all it’s shapes and forms.By the time I was 16 I had found my heart belonged to portraiture, performance and fine art photography and also came to the realization that I can help others see the beauty in themselves and others with these photos.
For an artist, selling their first piece of work is a memorable moment. Tell us about your first piece or a special piece that was sold. There is no one photo (sold or unsold) that takes precedence over all the others. I still am finding to this day that each new shoot I do I learn something new about my technique, my style, myself, and the people I’m shooting. It’s a growing process always and I love that about all artistic endeavors! My studies in the nude human body are still some of my favorites over-all but it’s too hard to pin-point one shot that meant more than the others.

Who are your favorite artists? I do not have many consistent favorite artists anymore. I look at all genres, new and old, and I go through phases with liking some more than others. It’s always changing because I like to be able to always change. It’s almost as though I have favorite peices, rather than artists. Even if I do a series, I rarely stick with it for longer than a few months to a year because I like change and evolution and allowing for that to happen naturally as I discover new inspirations. If I had to name some names, then some of my inspirations have been Jan Saudek, David La Chappelle, Richard Avedon, George Hurrell, and even young up-and-comings like Lara Jade who took the online photography world be storm before she even 16, and locals AJ Kahn and Gary Mitchell who I have even had the pleasure to work with as a model. There are countless others but these are just the few that come to mind right now.

Artist: Cheryl Faligowski aka Spilt Sugar
Title: Nude Frame
Medium: Digital photo converted to black and white can be converted up to 11×14 inches
Website: http://www.spiltsugar.com/


Mary Ann Wakeley, Wynnewood, PA

Manifesto - Mary Ann WakeleyWhen did you first discover your creative talents? I seem to have several recollections that qualify as first discoveries. Like so many children, it was natural for me to make things whether it was creative structures with wooden blocks and crafts or painting, drawing or playing piano …. it is inherent so as children we take those things for granted and don’t consider what we do is special or a talent. As we mature, we are singled out for what others perceive as unique. I remember how amazed I was that I did so well in a design class I took as a continuing education student yet I had been rearranging colors and forms in space in so many ways for years beginning as a toddler that I don’t know how I could have been surprised. Every time I am aware of a new form of expression making its way through is a first discovery for me.
For an artist, selling their first piece of work is a memorable moment. Tell us about your first piece or a special piece that was sold. Even though it wasn’t the first time I sold a painting I remember the first piece I sold via the internet and consider it my first official sale. This may be due to the fact that prior to internet sales most paintings were purchased by friends, family and friends of family. This was the first official sale from an unknown person via the web. It was a square abstract in acrylic on canvas that was in shades of muted pinks and orange and resembled a landscape but the colors took it out of that realm and the buyer connected. It was 2004 when I made the sale after reading an article in Art Calendar magazine about artists selling on the internet and especially having success on ebay. The piece sold within minutes of being listed and I was hooked! The sale of that piece along with the lovely personal note that was sent by the woman who purchased it was very memorable.

Who are your favorite artists? Joan Mitchell, Robert Rauschenberg, Franz Kline, Elizabeth Peyton, Howard Hodgkin, Patrick Heron, Louise Bourgeois, Matisse, Bernard Dufour.Favorite painters of today whom I have personally connected with via the web are Michel Guerin, Diane Kramer, Hiroshi Matsumoto, Sharon Barfoot, Goro Endow, Mayako Nakamura, Gerard Stricher, Bertrand Eberhard, Anne Buffum, Anne-Laure Djaballah to name but a few.

Artist: Mary Ann Wakeley
Title: Manifesto
Medium: Acrylic and pastel on canvas, 40×40 inches
Website: http://www.maryannwakeley.com/

Ivy Jacobsen, San Francisco, CA

Sanctuary-Ivy JacobsenWhen did you first discover your creative talents? From as early as I can remember I’ve always gravitated towards drawing, painting, and other crafty things as a means to self expression and fun.But it wasn’t until 1997, when I was 23, that I took my first college level painting class and became a painting addict! Something just clicked when I began oil painting and it’s been my passion ever since.

For an artist, selling their first piece of work is a memorable moment. Tell us about your first piece or a special piece that was sold. In 1999 I was studying painting and printmaking at San Francisco State University and at night working at a restaurant/bar in Oakland’s Jack London Square. I had the fortune of having my very first art show at this restaurant. One of the regulars came in one night and we got to talking about my paintings. He asked me which of these pieces was my favorite and I told him it was “Long Necks”. He said he’d buy it! I was so excited, I couldn’t believe it! A few years later he started a new gallery in Oakland and I had my first solo gallery show there.

Who are your favorite artists? I have a lot of favorite artist. Some current ones are Ruth Oshawa, Darren Waterston, and Eyvind Earle.

Artist: Ivy Jacobsen
Title: Sanctuary
Medium: Oil, bronzing powder, & mixed media on canvas, 38×52 inches
Website: http://www.ivyjacobsen.com

NEXT UP…..

Paul Shampine Greg Orfanos ~ Danielle EzzoAmy Guidry ~ Meg Dwyer


“Art is not…” Interview with an Artist, part 4

“Inspired” by Mr. Sadler’s comments below, I’ve found what others have to say what “art is not…”  I open with my friend Pablo and close with some reality:

Art is not the application of a canon of beauty but what the instinct and the brain can conceive beyond any canon. When we love a woman we don’t start measuring her limbs.” ~ Pablo Picasso

Art is not an investment” – VIDEOArne Glimcher, founder of Pace Gallery.

Art is not what you see, but what you make others see.”  ~ Edgar Degas

One of many collections – daughter Samantha @ 7, now 12 years old

“Start by remembering that teaching children about art is not just about showing them how to recognize a van Gogh or Picasso, it’s about preparing young minds for a future of invaluable experiences—art related or otherwise.” by Andrea Mulder-Slater (http://www.kinderart.com/artspeak/important.shtml)

Art is not a luxury.” Fresh Artists (http://www.freshartists.org), a non profit 501(c)(3) organization, created to help save art making in K-12 public schools.

The interviews continue….
Best, Paul
Paul Shampine

Roger Sadler, Temple TX

I am never inspired. Art is work. And I work. Within the process of work I may get excited about an idea and follow it out. Work and ideas. No inspiration: that is a late 19th early/ 20th century concept. Sorry to contradict you but making art is not magic; and inspiration bespeaks of magic. To conclude, art is work and ideas.

When did you first discover your creative talents? 14 years old.

For an artist, selling their first piece of work is a memorable moment. Tell us about your first piece or a special piece that was sold. Selling The Leaving for 600 dollars was my biggest sell and biggest painting and most dear to me. THE LEAVING is not a horror painting despite appearances. It is about pain. The pain of a relationship breaking up and the child being abandoned, or being left with the clan behind the fence. The male is exiting the front of the picture. He is slumped with grief and depression. The women stays behind with the child, holding her hand. The characters are so depressed and in so much pain that “the flesh is stripped from their bones.” The painting is medium large, 5 ft x 5 ft.

The other painting is PURPLE PAINTING. It is an example of my current painting style. My previous painting style was realististic/impressionistic. My present style is abstract. The size is 16 x 20 inches.

Who are your favorite artists? My present (and they change) favorite artists are Brice Marden and Sean Scully.


Artist: Roger Sadler
Title: The Leaving and Purple Painting
Website: http://www.rogersadler.com/

Ruby Farias, Scottsdale, AZ

When did you first discover your creative talents? I was passionate about art as long as I can remember… I loved doing crafts with my mother as a child. In school, I doodled a lot and in high school I think I took every art class that was available. Although in my adult life I took somewhat of a hiatus to work on my “corporate career”, I came full circle in 2001 and reconnected with my passion. It was then that I promised myself that I would never put my brush down again.

For an artist, selling their first piece of work is a memorable moment. Tell us about your first piece or a special piece that was sold. It was my first piece that I sold to someone I didn’t know. It was my first gallery show and I was thrilled to see the tab on the wall announcing to all that “Lavender Morning” was sold. It felt great and I was so happy that someone out there could love a piece of art that I created. It is a great feeling when the public enjoys my work. I want my work is to provide energy and to brighten up ones soul.

Who are your favorite artists? It is the works that are created with somewhat of an abstract technique, bright colors and details that make you wonder what is going on in that piece that attracts me. Of course, there are works done by familiar artists like Monet, Van Gogh, Kahlo, Klee and Matisse that I truly enjoy; not only in their work but in who they were and what their story was.

Artist: Ruby Farias
Title: Nights Magic
Medium: Acrylic, Gel on Canvas, 16″ X 20″
Website: http://www.rubyfariasdesigns.com

Courtney Jacobs, Pleasanton, CA

When did you first discover your creative talents? Drawing was one of my earliest ways to play.  My mom told me that my preschool teacher had contacted her out of concern for my “different” drawings…and for the fact that I spent so much of my time drawing.  Painting didn’t come until waaaay later in my teenage years.

For an artist, selling their first piece of work is a memorable moment. Tell us about your first piece or a special piece that was sold. I had a large abstract painting (Big Bang) on display at a local theater event.  At the artist reception I was approached by TWO people who were interested in purchasing the painting.  I was completely ecstatic to be in such “demand”, and ended up selling the painting to the first buyer for over $1000 (big bucks for me at the time).  The buyer still comes to a few of my events each year to check out the progress.

Who are your favorite artists? I have become a big fan of Gerhard Richter.  He is so versatile, working between photo-realistic painting, and completely colorful non-figurative painting.  Jackson Pollock‘s action paintings were also a big inspiration for me.

Artist: Courtney Jacobs
Title: Trummerzackam
Medium: Acrylic on panel, 36×60 inches
Website: http://www.courtneyjanejacobs.com/

Patricia Corbett, Wallingford, CT

When did you first discover your creative talents? I was drawing figures, horses, etc. as a child and would win little awards in grammar school. In high school I was known for my art.  But after high school graduation and 3 years of night school, I went back to college majoring in music applied in voice.  My professional career as a singer was very satisfying. 10 years ago I retired from music and rekindled my art career.  It has been very enjoyable.

For an artist, selling their first piece of work is a memorable moment. Tell us about your first piece or a special piece that was sold. I sold my first piece of art at Zoe & Floyd Art Gallery in CT.

Who are your favorite artists? Edgar Alwin Payne, Richard Schmidt, Mary Cassatt, John F. Carlson, and Franz A. Bischoff.

Artist: Patricia Corbett
Title: Summertime on the Merritt
Medium: Oil on canvas
Website: http://www.patriciacorbett.blogspot.com/

Eric Valdez, Alhambra, CA

When did you first discover your creative talents? I’ve been creative from as far back as I can remember. My earliest memory of doing anything creative is drawing an Easter bunny at a YMCA after school program when I was 5. From then on I kept drawing, but I never considered it a talent. It was just something I did. I still don’t consider my artistic abilities a talent. They’re more like skills that I’ve been honing for over 25 years.

For an artist, selling their first piece of work is a memorable moment. Tell us about your first piece or a special piece that was sold. The first exhibition that I was ever in kind of set a pretty high benchmark for any other group shows that I’ve been a part of because during the opening I sold both of the pieces that I had submitted. I picked up painting in the early 2000s as a hobby and then stopped when my record collecting hobby took over. Getting back into painting a couple years later was dumb luck and becoming a visual artist was something that I had never set out to do, so it was hard for me to wrap my head around the fact that I had sold two paintings in my first show. Those paintings were done to fit into the theme of the show so I didn’t have a personal connection to them beyond the work that I put into them, but having such strong reactions to pieces that I had painted motivated me to keep going.

Who are your favorite artists? One of my biggest influences is Neal Breton (Google him!), my friend and mentor who dragged me kicking and screaming into his studio and gave me the confidence to show my work off. I also really dig Jean-Michel BasquiatBanksyAndy WarholRoy LichtensteinShepard Fairey, and pop art and street art in general. Comic books also have had a huge influence on me and some of my favorite comic book artists are Frank MillerJack KirbyTim SaleBruce TimmJim Steranko and John Romita, Sr..

Artist: Eric Valdez
Title: Vicente Fernandez
Medium: Vinyl, acrylic, spray paint, 18×24 inches
Website: http://ericvaldezart.com/

 




Interview with an Artist…part 1

Over the next few weeks, you’ll find internationally diverse artist interviews revealing thoughts on their personal creative discoveries, their intimate and memorable “red dot” stories and their exclusive artist guest list.

Sign up today to get future interviews delivered to your Inbox.  Also, feel free to recommend your favorite artist for a featured interview.

Enjoy ~ Paul

Katrin Jurati, Los Angeles, CA
When did you first discover your creative talents? I remember very distinctly, in first grade, the teacher speaking to someone else about me, as I had the revelation, drawing my bird Hansi in his cage (that the rungs of the cage had to be drawn first, with the bird behind so he appeared within it) while hearing “she’s the best artist in the class.”  I was shocked.  That was the first moment I identified myself as artist.

For an artist, selling their first piece of work is a memorable moment. Tell us about your first piece or a special piece that was sold. I hate to say I forgot which piece I sold first.  In Buffalo, I sold out 3 years worth of work, so it’s a bit of a blur.  The connection to each collector, of seeing their collection in their home, was amazing.  Unfortunately, out of that work, I remember the piece that I didn’t sell most, a heavy metal sculpture.  Instead of excepting $3000 I wanted $4000 and ended up putting it in storage and then lugging it to California to collect dust downstairs in the garage.  Probably my favorite sale was at the Anderson Gallery.  The collectors wanted it delivered to South Carolina, and invited me down for a week at the beach.  Precious memory.

Who are your favorite artists? My parents had a Picasso drawing book of nudes you can be sure I studied for years.  He’s still my favorite, loved the museum in Paris.  As a child Vasarely made a great impact on my first Museum visit, later punk, with all it’s emotive expression.  Cave Painting, Indian painting on buckskin, El Greco, Gericault, Van Gogh, Gauguin, Kahlo, Ana Mendieta, Baldessari, Godard, Agnes Varde, Louise Bourgeois, Rothko, Sautin, Goya, William Blake, Henry Darger, Raymond Pettibon, Monet, Eva Hess, Paul Klee, Philip Guston, and Lily Van Der Stokker easily begin the list.  Lately, I’ve been into Vera, the designer.

Artist: Katrin Jurati
Title: Grit in the girl/Puts punk in the pearl
Medium: Ink on silk – each piece (4 total) is 56″ x 6″ inches
Website: http://katrinjurati.com

Kristine Harper,  Copenhagen, Denmark
When did you first discover your creative talents?
It is hard to say exactly when I first discovered my creative talents – but I seriously started experimenting with and investigating my creativity when I was studying art. I have always been fascinated by color; I love how one, with color, can capture emotions and shape mental or physical landscapes.

For an artist, selling their first piece of work is a memorable moment. Tell us about your first piece or a special piece that was sold. Selling art is kind of strange – my paintings are reflections of my thoughts, and thereby very personal. There are always paintings I am more attached to than others, and they are the hardest ones to let go.

Who are your favorite artists? I am very fond of legends in abstract expressionism like Mark Rothko and Jackson Pollock, but also Gerhard Richter and Danish artist Per Kirkeby inspire me.

Artist: Kristine Harper
Title: New beginnings
Medium: Acrylic paint on canvas, 100 x 100 cm/ 39.4 x 39.4 inches
Website: http://kristineharper.sat0ri.com/

Kara Joslyn, Oakland, CA

When did you first discover your creative talents? I think it was before I can remember. My mom tells me that I was drawing and arranging trinkets/objects ever since she can remember. I think I realized I was an artist in second grade, though. The class drew portraits of a different student every week and then the student acting as muse would pick her or his favorite drawing to put up in class until the next round. One week we drew our teacher, Ms. Nielsen. My drawing wasn’t picked, and I couldn’t fathom why – it was my masterpiece – so I asked her why I hadn’t been selected. She told me it was because the drawing was inappropriate. I was confused. I pressed her – why did she think so? She pointed to the bust area of my rendered portrait – then I realized… I was the only student who had given her breasts (denoted by one W-shaped line). I felt it was completely unfair since I was just being accurate, and tried not to cry – until I got home.

For an artist, selling their first piece of work is a memorable moment. Tell us about your first piece or a special piece that was sold. I was most excited when I sold a piece to my favorite professor, Linda, and when I sold a dyptich to a Rock Star, Tina from The Bobby Teens.

Who are your favorite artists? David Bowie, Nick Blinko, De Chirico, Kay Sage, Judy Chicago, Vija Celmins, Matisse, klee, Justin Olerud, Travis Wyche, Fritz Lang, Johannes Itten, NagelHunx and his PunxPeter Seville, Ertè, Nellè, Leslie Shows, Laura Owenskandinsky, arthur dove, the ancient greeks, the makers of the venus(es) of villandorf…the list could just continue on.

Artist: Kara Joslyn
Title: Vista Equinox Sunset
Medium: Graphite and acrylic on paper,  22 x 20 inches
Website: http://karajoslyn.com

Sara Joseph, Bangalore, India

When did you first discover your creative talents? When I was 10, my best friend used to sit in class and draw cartoons from newspapers during free hours and I used to see that and wait for her to finish drawing as I wanted to color it. One day she said, “Look , why don’t  you try drawing ?”  I said, “No I can’t draw, I can only color “. But finally, through persistent encouragement I drew Winnie the Pooh from the newspaper. The drawing turned out to be really good, which marked the beginning of art in my life.

For an artist, selling their first piece of work is a memorable moment. Tell us about your first piece or a special piece that was sold. I had sold my first work to a friend of mine.  But the most memorable experience was when I sold a work  during a fair called ‘Chitra Santhe‘ where thousands of artists come together to sell their works here in Bangalore, India every year. It was in 2009 when this man came to my stall and checked a work of mine when I wasn’t there. He came back the 2nd time and asked my friend if the artist was back and I weren’t. Then he came back the third time looking for me to buy my work from me, but again I wasn’t there and he bought the painting when I wasn’t there. I was feeling really bad that this was the first time someone eagerly wanted to meet me and I wasn’t there all the three times he had come. Then finally in the evening while we had to pack up he came with his family to tell me he loved my work and wanted to meet in person to tell me how much he loved it.  I was overwhelmed by his gesture.

Who are your favorite artists? My works are a combination of abstraction and realism. I use an abstract background and I keep the portraits as real as possible. This is to show that it’s not the society that am interested in but the people and what the common man in India is like. I love to do portraits, as faces carry the emotions, of a person.  And in abstraction I use squares in the background which represent society which I used as I was inspired by Piet Mondrian and his representation of colors and geometric forms. My favorite artist in realism or I would say photorealism is Chuck Close. I love the way he uses faces of people or his self portraits in different styles to portray a skill beyond photorealism. The expressions are very neutral but the massive sizes he works on and his technique is amazing. Others, to name a few, that have inspired me are Salvador Dali, Michelangelo, Monet, Jeff Koons, David Kassan, Amrita Shergill and TV Santosh.

Artist: Sara Joseph
Title: Bounded
Medium: Oil and acrylic on canvas
Website: http://paintedpainter.blogspot.com/